Preview

Tambov University Review. Series: Humanities

Advanced search

Students’ vocal and performing culture development by means of educational innovative technologies

https://doi.org/10.20310/1810-0201-2024-29-6-1680-1687

Abstract

Importance. The modern educational system is focused on various types of activities, which is associated with the use of innovative technologies. Pedagogical technology is a set of psychological and pedagogical attitudes that determine a special set and arrangement of forms, methods, ways and techniques of teaching, educational means. The relevance of the problem of using innovative educational technologies to develop students’ vocal and performing culture is associated with the need for a harmonious combination of old and new teaching methods in order to ensure sustainable development and disclosure of the potential of young performers. The purpose of the study is to reveal the features of the formation of students’ vocal and performing culture by means of educational innovative technologies.
Materials and Methods. Scientific literature and educational resources are analyzed. Information is systematized and organizational and pedagogical conditions for innovative forms and techniques of teaching students vocal and performing culture are substantiated.
Results and Discussion. Educational innovative technologies are the most promising to develop students’ vocal and performing culture if the curriculum contains new disciplines aimed at the latest research in the field of musical culture and vocal art; the use of interactive technologies, mobile apps and online-resources allows to create a flexible educational environment and creates access to more information and materials for studying vocal art; the application of virtual reality technologies allows to immerse in the musical composition and feel like a performer on stage.
Conclusion. The process of developing students’ vocal and performing culture by means of educational innovative technologies is complex and multifaceted and requires a comprehensive approach. Simultaneous use of traditional and innovative approaches allows students to gain a complex comprehension of vocal art, develop creative abilities in theatre art, and adjust to contemporary conditions

About the Author

M. V. Yanenko
Gnesin Russian Academy of Music
Russian Federation

Maria V. Yanenko, Associate Professor of Solo Singing Department no. 1

30-36 Povarskaya St., Moscow, 121069



References

1. Nurgayanova N.Kh. (2010). Formation of the vocal performing culture of future teachers of music as a pedagogical problem. Vestnik Tatarskogo gosudarstvennogo gumanitarno-pedagogicheskogo universiteta, no. 3 (21), pp. 232-237. (In Russ.) https://elibrary.ru/nccxld

2. Abdullin E.B., Nikolaeva E.V. (2010). About musical education philosophy: essence, purpose, orientation. Filosofskie nauki = Russian Journal of Philosophical Sciences, no. 1, pp. 144-153. (In Russ.) https://elibrary.ru/ndhxcb

3. Archazhnikova L.G. (1980). On the issue of functional structure of musical education activity research. Voprosy fortepiannoi pedagogiki. Moscow, MSPI Publ., pp. 19-31. (In Russ.)

4. Bezborodova L.A, Bezborodova M.A. (2023). Emotional resilience of younger students in terms of leisure activity. Mir nauki. Pedagogika i psikhologiya = World of Science. Pedagogy and Psychology, vol. 11, no. 4, pp. 1-12. (In Russ.) https://elibrary.ru/xivdum

5. Razhnikov V.G. (2000). Mood Album: Poetics. Painting. Music: History of Sorrow. Stop Under the Sun. Triumphal Arch. Enchanted city. Moscow, Ramenskoe Publ., 87 p. (In Russ.) https://elibrary.ru/qxorqx

6. Tsypin G.M. (2017). Psychology of Creative Activity. Music and Other Arts. Moscow, Urait Publ., 119 p. (In Russ.) https://elibrary.ru/zeaxaz

7. Busygina T.A., Busygina A.L. (2013). Influence of the teachers’ emotionality on the students’ assessment of their pedagogical image. Samarskii nauchnyi vestnik = Samara Journal of Science, no. 4 (5), pp. 44-45. (In Russ.) https://elibrary.ru/rwvmbb

8. Ostapenko A.A. (compiler). (2013). Humanitarian System Research. Theory of N.V. Kuz’mina Pedagogical Systems: Genesis and Consequences. Krasnodar, Parabellum Publ., issue 1, 90 p. (In Russ.)

9. Shcherbakova A.I. (2015). The philosophy of music and music education in shaping the humanitarian reality of the XXI century: the problem of the birth and formation of a scientific school. Vestnik kafedry YUNESKO Muzykal’noe iskusstvo i obrazovanie = Bulletin of the UNESCO Chair Musical Art and Education, no. 2 (10), pp. 68-73. (In Russ.) https://elibrary.ru/ulgoqh

10. Setdikova Yu.B. (2005). Some aspects of working with a student on mastering vocal works of various genres, styles and directions. Materialy nauchno-prakticheskoi konferentsii vokal’nogo fakul’teta MGUKI. Vyp. 2 = Proceedings of MGUKI Vocal Department Scientific and Practical Conference. Moscow, MGUKI Publ., issue 2, pp. 184-189. (In Russ.)

11. Sigal I.M. (2020). Formation of professional competencies soloists-vocalists in the process of training at the university. Izvestiya Samarskogo nauchnogo tsentra Rossiiskoi akademii nauk. Sotsial’nye, gumanitarnye, mediko-biologicheskie nauki = Izvestiya of the Samara Russian Academy of Sciences Scientific Center. Social, Humanitarian, Medicobiological Science, vol. 22, no. 75, pp. 99-103. (In Russ.) https://doi.org/10.37313/2413-9645-2020-22-75-99-103, https://elibrary.ru/wfqnir

12. Buranok O.M., Sigal I.M. (2015). Integrative approach to developing literature competence in future vocalists and choirmasters. Izvestiya Samarskogo nauchnogo tsentra Rossiiskoi akademii nauk. Sotsial’nye, gumanitarnye, mediko-biologicheskie nauki = Izvestiya of the Samara Russian Academy of Sciences Scientific Center. Social, Humanitarian, Medicobiological Science, vol. 17, no. 1, pp. 64-67. (In Russ.)

13. Shan’nin Ya. (2023). Technologies and innovations in vocal education: from classical techniques to digital solutions. Kul’tura i tsivilizatsiya = Culture and Civilization, vol. 13, no. 11, pp. 111-119. (In Russ.) https://doi.org/10.34670/AR.2023.15.41.017, https://elibrary.ru/bbpatr

14. Degtyareva D.V., Radtsig E.Yu. (2013). Electroglottography – an objective method for the evaluation of the vocal function in the children: reliability and validity. Vestnik otorinolaringologii = Russian Bulletin of Otorhinolaryngology, no. 6, pp. 28-30. (In Russ.) https://elibrary.ru/rtegcl

15. Sargsyan N.G. (2016). On the quantitative method of analysis of choreographic and musical elements: the musical-kinetographic scores of S.S. Dzhudzhev and S.S. Lisitsian. Uchenye zapiski Rossiiskoi akademii muzyki im. Gnesinykh = Scholarly Papers of Russian Gnesins Academy of Music, no. 1 (16), pp. 13-21. (In Russ.) https://elibrary.ru/vuysjr


Review

For citations:


Yanenko M.V. Students’ vocal and performing culture development by means of educational innovative technologies. Tambov University Review. Series: Humanities. 2024;29(6):1680-1687. (In Russ.) https://doi.org/10.20310/1810-0201-2024-29-6-1680-1687

Views: 75


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 1810-0201 (Print)
ISSN 2782-5825 (Online)